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Sunday, February 14, 2010

All we need is psycho-gaga!

Boy meets girl,boys runs after girl, boy and girl run around trees, boy and girl face stiff familial resistance.....put up token fight,huge bust up with villain, boy and girl's family realise their mistakes, they are reunited....formulaic films that used to be the norm once upon a time, and we, the willing multitudes - used to enjoy going to the movies, getting our small packet of popcorn, if we were lucky, and sitting through three-and-a-half hours of a film, in less than desirable environments - simply for the dose of escapism from our stark realities - that they offered.....zoom forward three decades, and things have radically changed.....movies are now quite literally larger-than-life, with some sophisticated huncho backing every small venture, and some big corporate somewhere having an ulterior motive in wanting the film to be a runaway hit........the 21st Century has proved to be a throwing out of formula and embracing of the stark reality time - most films have some kind of a leitmotif - other than the routine pyaar - shaadi - what is fascinating, but perhaps not entirely unexpected - is the sudden focus on all things psychological and psychosomatic - it is not just the interesting undercurrents or psychological nuances that were obvious in films like Kismet Konnection - today there are much deeper psychologicasl messages - not just at a subliminal level - in your average Bollywood film.....why's that you wonder? Really? In Bollywood? you ask.....yes really.....My Name Is Khan is the most recent one to explore these subconscious depths of a problem - in his portayal of Rizwan Khan, a person suffering from Asperger's syndrome, Shah Rukh Khan is the most recent star to jump on the psyhology brandwagon.....Aamir Khan did it before him in his debut film as a producer with Taare Zameen Par....andKajol has always found herself part of such fasninating story lines whether as the hapless wife of a wanted terrorist in Fanaa where again the focus is the mind of the terrorist - to My Name Is Khan - where the approach is about proving a man being treated as "national combatant" to be a national hero in the real sense of the word......it looks like Hindi films, like everything else, have comes full circle, in their treatment of reality.